Daughter: The Light

Sofia Petrides · born 2009

The six portraits
Daughter: The Light

Sofia’s portrait turns towards the future. The Light leaves the family story open: the next generation inherits a past and remains free to shape its future.

Petrides asked his daughter to sit for the sculpture when she was twelve. Her features meet the form of an ancient Kore, a figure he first encountered as a child in the Acropolis Museum.

Her upward gaze gives the portrait a sense of openness. That change in direction offers a quiet sense of possibility. The daughter is not asked to complete the stories of those before her; she has a story of her own to make.

The Light belongs to the artist’s Kore series, named after its ancient model. A version of this portrait, Kore II, stands at the entrance of the Children’s Hospital “Aglaia Kyriakou” in Athens, bringing the family image into a public setting. See Kore II.

Model
Sofia Petrides · born 2009
Theme
Responsibility to future generations
Materials
Recycled PETG, printed at large scale, reworked by hand, and finished with metal coatings, patinas and pigments.
Dimensions
75 × 57 cm · height × diameter
Completed
2024 · Version II

Looking and reflecting

What would you pass to the next generation?

Sculptural reference

Kore 684 · Acropolis Museum, Athens Photograph: Socratis Mavrommatis.

Kore 684 · Acropolis Museum, Athens

The ancient Kore’s formal pose and distinctive smile provided the starting point. The resulting sculpture brings together a childhood memory of looking at art and the artist’s present relationship with his daughter.

View the museum record for Kore 684

In the artist’s words

George Petrides · edited from the original artist’s account.

For the final sculpture in this journey, I returned to a work I first encountered as a child. My aunt Emanuela, the wife of my mother’s brother and an archaeological guide, used to take me to the old Acropolis Museum on the Acropolis itself. Decades later, I renewed my connection with Kore 684 in the new museum, which opened in 2009.

I chose this sculpture as my model and asked my daughter Sofia, then twelve, to pose. My Kore brings the ancient figure’s suggestive smile together with my daughter’s features.

Her upward gaze gives the portrait a sense of openness.

Sculptural inspiration — read more

Kore 684 belongs to the Archaic tradition of clothed young women, with formal poses, carefully worked hair, and the distinctive Archaic smile. Traces of ancient colour recall that these figures were not conceived simply as the white marble we often imagine. Here an ancient sculptural convention meets a particular child’s face.

Historical film

Watch the English-language film on YouTube.

Browse all seven films

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